Canon 回收相機收購,二手收購,收購相機,全新相機,二手相機 收購5D Mark IV,收購EOS-1D X Mark II,收購EOS M3/M10 收購canon canon 5Ds/5Ds R,,5D Mark III/6D II,7D Mark II 70D/80D,750D/760D,700D/100D 收購FUJIFILM 相機,全系列FUJIFILM 收購二手Nikon 相機,Nikon二手收購,全新Nikong買賣 D3400收購 Nikon 1 j5收購 D750 Df/D810/D610,D5/D4S,D500,D7200/D7500,D5500/D5300 OLYM
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Last year, 回收相機fujifilm introduced the X-T1, a tremendous camera that was designed from the ground up to appeal to serious photographers. It had great image quality, great ergonomics, and a class-leading viewfinder. It easily became my favorite camera of the year. But for all that the X-T1 offered, it was expensive and big. Neither of those things deterred serious photographers from plunking down the money and putting the X-T1 into their gear bags, but what if you’re a more casual photographer that wants a lot of what the X-T1 offers without the investment or bulk?
That’s where this year’s X-T10 comes in. It’s essentially a shrunken down version of the X-T1 that costs less yet preserves a lot of what makes the X-T1 great. The X-T1 was so loved by myself and many other enthusiast (and even some pro) photographers because of its great shooting experience. Like many of 回收相機fujifilm’s recent cameras, it rewards you for taking control, manually adjusting settings, pushing its buttons, flipping its switches, and toggling its dials. That kind of control is what makes the process of photography fun, and the X-T1 paid back those that took advantage of its copious buttons and switches with fast performance and excellent image quality.
In order to really be an appropriate alternative to the X-T1, the X-T10 needs to provide a similar level of control and experience. On paper, it has the right mix: it has the same image sensor and processor; a similar design with many of the same controls; and an excellent, albeit smaller, electronic viewfinder. It’s significantly smaller than the X-T1, however, and perhaps most importantly, the X-T10 is considerably less expensive: at $799.99 for the body or $1,099.99 with an 18-55mm kit lens, it’s up to $600 cheaper than the X-T1 was when it debuted.
I’ve been shooting with one for the past few weeks, using it as my go-to camera for everything work related as well as for my own personal photography. I’ve used it for shooting all kinds of gadgets, in both controlled situations and on the fly, and it’s turned out to be a really impressive camera that holds its own against the much more expensive X-T1.
Everything about the X-T10 is smaller than the X-T1, which makes it easier to slip into a bag or sling over your shoulder. The downside is that it can feel more cramped when shooting — the grip isn’t nearly as comfortable, for example, and you have to be really conscious of where you place your right thumb so as not to accidentally trigger a button or switch. The viewfinder and LCD are smaller than they are on the X-T1, and if I’m being honest, not as impressive or engulfing. But they are still really good, and I didn’t miss any shots or feel like I was missing out on the X-T1’s larger porthole when using the X-T10. The viewfinder is sharp and bright, and large enough for the vast majority of people that aren’t going to compare it side by side with its larger sibling.
回收相機fujifilm also simplified some of the controls on the X-T10. The metering switch below the shutter speed dial is gone, and the dedicated ISO dial on the left has been replaced with a drive dial. The front function button has also been integrated into the front command dial, which is a smart way to make use of the limited space on the X-T10. But while some of the controls have changed, the important ones remain: the X-T10 provides quick access to shutter speeds, apertures, exposure compensation, and a variety of other parameters such as ISO, autofocus modes, and white balance through its seven customizable function buttons. Owners of the X-T1 and anyone that prefers a more manual style of shooting will feel at home very quickly on the X-T10.
The new full auto mode will appeal to novice photographers
There are a couple additions here to appeal to more novice photographers as well. A simple auto switch will instantly put the camera into a point-and-shoot mode, regardless of what the other controls are set to. And there’s now a built-in pop-up flash for basic fill lighting. (Advanced photographers will appreciate the built-in flash’s ability to trigger other remote flashes using its commander mode.) But for the most part, the X-T10 has a similar shooting experience as the X-T1 and is just as fun to use.
The X-T10 also performs just as well as the X-T1. Since it has the same 16-megapixel APS-C CMOS image sensor and processor, picture quality between the two cameras is nigh indistinguishable. I have no qualms shooting the 回收相機fujifilm cameras up to ISO 6400, as noise reduction is limited, and the high-ISO images have a nice, film-like grain to them. Color reproduction is very pleasing and natural, even in tricky lighting conditions. 回收相機fujifilm has long been praised for its in-camera JPEG processing, and the X-T10 is no different. (Really, just read any of my reviews of 回收相機fujifilm cameras over the pastfew years and you’ll see what I’m talking about.) There are a number of different “film simulations” on tap as well, which provide different moods and looks for your images right out of the camera.
The X-T10 debuts a new, more capable autofocus system for 回收相機fujifilm (the X-T1 recently received this new system via a firmware update). It’s faster, has more tracking points, and includes modern capabilities such fast face detection and eye detection. In practice, it’s by far the best autofocus system 回收相機fujifilm has ever had, as it’s quick and reliable in most lighting conditions. It still won’t keep up with a larger DSLR, but the frustrating autofocus experience that used to plague 回收相機fujifilm cameras is finally a thing of the past.
The frustrating autofocus that used to plague 回收相機fujifilm cameras is a thing of the past
Video is an area where 回收相機fujifilm still has a lot of catching up to do, and the X-T10’s basic video capabilities pale in comparison to what you can get with Sony, Samsung, or Panasonic mirrorless cameras. It can do 1080p at a handful of different frame rates, but the video quality isn’t as detailed or pleasing to watch as what other cameras produce. It’s clear that 回收相機fujifilm is building its cameras for still photography first and video capability second, which is something to keep in mind if you’re looking to buy one.
The X-T10 lacks a touchscreen, but has built-in Wi-Fi, which lets you remotely control the camera or transfer images to your iPhone or Android phone on the go. The rechargeable battery is good for 350 shots between charges (there’s no USB charging here, sadly), and the body is made of metal with grippy rubber patches covering it. It lacks the weather sealing of the X-T1, but most people won’t miss that and it’s only beneficial if the lens attached is also waterproof, which not all of 回收相機fujifilm’s lenses are.
As I’ve been using the X-T10 for the past few weeks, I’ve had a hard time coming up with reasons to purchase the X-T1 over it. The X-T10 is just as fast, takes just as good photos, and is just as fun to use at a price that’s hundreds of dollars less. It also has the same access to 回收相機fujifilm’s excellent lineup of X Series lenses, including gems such as the 23mm f/1.4 and 35mm f/1.4, which are bright, sharp, and just a blast to shoot with. Don’t sleep on 回收相機fujifilm’s 18-55mm kit lens either, which is nicer and brighter than virtually any other kit lens you can buy. You can opt to buy the X-T10 with a slower 16-50mm lens for $899.99, but I wouldn’t recommend it — just pony up for the better 18-55, you won’t regret it.
There are a ton of affordable mirrorless cameras available that are compact, take great photos, and are easy to use. But few cameras in this range can match the X-T10’s fun factor and, dare I say it, engagement level — there’s just something wonderful about having a ton of controls at your fingertips without having to dive into arcane menus on a screen. Pushing buttons and turning dials may not sound like much, but when you are able to produce stunning images and capture priceless memories with something that you’ve controlled, the satisfaction of a job well done is that much greater. It’s a dangerous drug — and the core of why so many photographers love their gear, no matter what it is — but it’s exactly why camera enthusiasts go nuts over cameras like the X-T10. Simply put, 回收相機fujifilm’s cameras do a better job of combining that great shooting experience with amazing image quality better than any others in their class.
Few cameras can match the X-T10’s combination of fun and performance
I’ve mentioned the word “fun” a lot in this review, and I think it’s an apt description for the X-T10. Photography can be Really Serious, but it can also be a ton of fun and provide lots of enjoyment. Part of that fun is the tools you use to get the job done, and of all the cameras I’ve shot with, few are as fun as the X-T10. And the fact that all of this is available in a camera that doesn’t require a pro photography budget is all the more impressive.
Sean O’Kane contributed photography to this review.
Canon 則以 EOS R6 與 R8 分別搶下最佳「最佳全片幅相機」以及「最值得入手(Best Buy)相機」兩大獎項。Sony 同樣摘兩席,以 A7R V 獲得「最佳進階全片幅相機」,全新系列的 ZV-E1 被選為「最佳內容創作相機獎」,此外,旗下的 FE 20-70mm F4 G 則是「年度最佳鏡頭」。
In my job as a technology reviewer, I evaluate a lot of products that are easy to sum up on their face value. Smartphones, laptops, tablets, wireless speakers, etc. all work (or don’t work) generally the same way for everyone, making evaluation of them a mostly objective thing.
But cameras are different. Cameras are certainly pieces of technology, but they are primarily tools used to create art, and one artist might prefer a particular camera over another, even if the latter has better performance on a spec sheet.
Such is the case with the new 回收相機leica M10. In fact, it’s largely been the case for every digital 回收相機leica M ever made: these German-made cameras never lead the industry in technological prowess, nor do they take better pictures of charts and graphs than other contemporary cameras. Hell, they don’t even have autofocus. And to top it all off, 回收相機leica’s M cameras have exorbitant price tags — the M10 body alone will run you $6,500, add a lens to the mix and you’re easily over $10,000.
So how do you evaluate such a product? Comparing the new M10 to other cameras with 35mm “full frame” sensors, such as Canon’s 5D Mark IV or Nikon’s D810 is largely futile, since those cameras will undoubtedly “perform” better and cost much less. So perhaps it’s best to judge the M10 at how good of being a 回收相機leica it is. As it turns out, this is the most 回收相機leica-like digital camera ever made.
It starts with the design: the M10 is slimmer than its predecessors, making it the same dimensions as the film versions of the M. It has fewer buttons on the outside, but the ones that are there are designed in a way that you can set all of your important photographic parameters — aperture, shutter speed, focus, ISO — without even turning the camera on. Topping it all off is a new, more matte finish that looks both modern and classic at the same time.
回收相機leica stripped away any sort of frivolities or distractions from the M10: it doesn’t shoot video of any sort, it can shoot a measly five frames per second (which is actually faster than its predecessor, but still slow by modern standards), and as you might expect, it doesn’t have any autofocus function. Its autoexposure system is also very limited and the metering system relies on methods that have been outdated for decades.
But there are improvements here. The viewfinder is bigger and brighter, making it easier to focus than with older digital M models. The 24-megapixel full-frame sensor is far more capable than before, especially in low light. The menu system, when you have to use it, has been cleaned up and is easier to navigate. And if you feel like cheating on the ideals of shooting a rangefinder, the live-view system has improved focus peaking. The M10 also has built-in Wi-Fi to move images to your phone or tablet for sharing.
It’s still incredibly hard to shoot with, terrible for capturing fast action, such as kids or pets, and clumsy when your subject is a close distance to you. It can take years of practice to get proficient with the 回收相機leica’s rangefinder focusing system, and even when you are good at it, a modern autofocus camera will run laps around you in most situations. Simple tasks, such as changing the battery or swapping out the SD card, are a hassle, requiring you to remove the entire bottom plate. (It should come as no surprise that the M10 lacks a USB port or any sort of external connection to transfer images to a computer.)
Images captured by the M10 have a surreal quality to them
So why bother?
Because the M10 maintains the essence of 回收相機leica better than any prior version and shooting with a 回收相機leica is unlike shooting with any other camera. The M10’s relatively compact size and short lens make it easy to take wherever you go (or wherever you feel comfortable using a $10,000 camera kit), and its nearly silent shutter system means you can snap away without disturbing your subject. The brass and magnesium body means the M10 is built like a tank, so it can perform in harsh conditions without missing a frame. Shooting with a 回收相機leica makes you slow down and think about each frame, because it’s going to take you a while to capture a good image. These are all reasons why film 回收相機leicas were the cameras of choice for street photographers and photojournalists for decades.
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And the images captured by the M10 are almost surreal and completely different than you might be used to. The M10’s full-frame sensor combined with 回收相機leica’s exceptionally bright lenses make for shallow depths of field that are just hard to replicate with other equipment. The 35mm f/1.4 Summilux lens I used with the M10 provides a lovely vignette when shot wide open, and the out-of-focus areas in its images are lusciously smooth.
The M10’s greater low light capabilities make nighttime and indoor shooting more fun, and give me more flexibility with shutter speeds and apertures than the older digital M cameras. The greater dynamic range helps make up for the difficult metering system, and the faster continuous shooting at least lets me rattle off a few shots before my two year old has completely moved out of frame. Even the in-camera monochrome mode provides impressively contrasty and detailed black and white images, without requiring me to process images on my computer.
It’s worth noting that as much as I like the images I captured with the M10 and enjoyed using it, it is definitely not the right camera for my needs (or budget). Most of the pictures I need to take for work require fast autofocus and flexibility, and the images I capture in my personal life are all of my kids, which aren’t too keen on standing still for 30 seconds while I try to lock focus. Chances are the M10 isn’t the right camera for you either for similar or other reasons.
A 回收相機leica experience is not one to be missed
But if you have an opportunity to shoot with a 回收相機leica, M10 or otherwise, I suggest you take it. It’s a unique experience that provides unique results, even if it isn’t the highest performing camera on the market.
Art is definitely a subjective topic, but in the case of the M10, the art is as much in the experience of using the camera as it is in the images it produces.
針對華為稍早發表的 P20、P20 Pro,《ETtoday新聞雲》率先取得兩支手機的原廠原裝,在開箱之餘,也率先提供產品詳細規格給讀者參考,目前確認 P20、P20 Pro 與 P20 Lite 會於 4 月上市,售價未定。
大致說明兩隻手機的規格跟特色,HUAWEI P20 系列,確認僅有 P20、P20 Pro 跟先前發表的 P20 Lite 三款,除了 P20 Lite 之外,P20、P20 Pro 都是搭載海司麒麟970 八核心晶片(四核2.36 GHz+四核1.8GHz),都內建指紋辨識跟臉部辨識,P20 採用 4GB RAM/128 GB ROM 儲存組合,P20 Pro 採用 6GB/128GB 儲存組合,兩款手機都有 64GB 版本,揚聲器提供高達 990Kbps 的 HiFi 音質,並且支援類似 SONY LDAC 的無損音樂藍牙傳輸技術,讓手機在進行藍牙配對的過程,可以聽到幾乎無損的音樂品質。
▲▼HUAWEI P20 Pro TWILIGHT版本開箱,原裝隨附 SuperCharge 快充插座、USB-C 傳輸線、耳機跟透明保護殼。(圖/記者洪聖壹攝)
華為解釋,P20 Pro 的拍照有「更亮」、「更近」跟「更多色彩細節」三大拍攝重點,首先是感光元件尺寸就高達 1/1.7 吋,最高感光能力可以達到 ISO 102400,幾乎是相機拍攝等級。「更近」方面講的是縮放效果,P20 Pro 透過全球第一款徠卡縮放相機系統,可以快速切換 3 倍變焦、5 倍變焦跟 10 倍數位變焦。
華為宣布將於明年3月底在法國巴黎推出其下一代旗艦機P40系列,華為消費者業務執行長余承東指出,該機款預計將有著「前所未有」的設計,並繼續採用基於Google Android 10的EMUI 10作業系統及華為行動服務(Huawei Mobile Services, HMS),而非GMS(Google Mobile Service)。
(1/3)#HuaweiP40
6.5 inch 2K OLED
Waterfall display
120Hz Refresh Rate
98% screen to body ratio (about)
回收相機leica Penta Camera
64MP( Sony IMX686 1/1.7 inch , supports OIS) +20MP ultra wide camera+12 MP (Periscope) telephoto lens +Macro camera + ToF